“The shoes, the hair, the clothes-every last detail of her dress, in fact-was utterly au courant.” beau geste (boh zhest') : a fine or noble gesture, often futile. “The fact that their house is in such disrepair suggests a priori that they are having financial difficulties.” au courant (oh' koo-rahn') : up-to-date. “Last year was the annus mirabilis for my company.” a priori (ah pree-or'ee) : based on theory rather than observation. “Sylvia's teenage angst was nothing compared to the parental angst experienced by the two individuals whose duty it was to raise her.” annus mirabilis (an'us muh-ra'buh-lis) : wonderful year. “I was surprised at what a baseball aficionado she had become.” angst (angkst) : dread and anxiety. “The politician uttered one platitude after another ad nauseam.” aficionado (uh-fish'ya-nah'doh) : an ardent devotee. “The lecture seemed to drone on ad infinitum.” ad nauseam (ad noz'ee-um) : to a sickening degree. “He tediously repeated his argument ad absurdum.” ad infinitum (ad in-fun-eye'tum) : to infinity. ad absurdum (ad ab-sir'dum) : to the point of absurdity. There are no pre-recorded images and no computerised images used in the installation.The English meanings given below are not necessarily literal translations. This creates dynamic real-time images and sounds in "conversation" with the visitors or performers. 4 video cameras, 4 video projectors, 2 video mixers and an audio mixer are used to initiate a massive feedback loop of video-video, video-audio, audio-video and audio to audio. Essentially, the system uses video and audio feedback to create sounds (from images and movements) and images (from sounds and movements). Infinitum Ad Nauseam, Tokyo (2000) - The project is a video/audio performance installation which requires the explicit participation of the audience. There are no pre-recorded images and no computerised images used in the performance. Impromptu / Infinitum Ad Nauseam, Tokyo Metropolitan Museum of Photography, 2000 ![]() ![]() ![]() using video to create sound and sound to create video.creating complex responsive systems using simple technology.the circular, iterative nature of 'conversation'.the unstable equilibriums of video and audio feedback.the audience as 'performer' - the role of the audience in an artwork.Infinitum Ad Nauseam, IAMAS, 2000Īll images and sounds come from within the system itself – that is from the movements and sounds of the performer and from the idiosyncracies of the hardware used. The basic idea of the installation is to use video feedback, audio feedback, video-audio feedback and audio-video feedback to create a performance of dynamic real-time images which develop a “conversation” with the performer. Changing Faces of Gesture / Infinitum Ad Nauseam, Hillside Gallery, Tokyo, 2000 The images are affected both by sounds and movements – in one implementation, the audience may be used as part of the performance, too. The installation consists of multiple video cameras and projectors which allow dancers and performers to interact in realtime with images and sounds created by the system. An interactive audio/video projection system for choreographed and improvised dance performances, exhibited at IAMAS, the Tokyo Metrolpolitan Museum of Photography and the Hillside Gallery, Tokyo.
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